Lee Ufan

A pioneer of the Mono-ha movement in Japan, Lee Ufan developed a sculptural practice in the 1960s that explored the tension between natural and man-made materials and the dialogue between object and space. In 1972 he changed the titles of the works that he had made up to that point to Relatum, referring to a concept in Heideggerian philosophy, which conveyed the artist’s interest in contingent circumstances. His use of “Relatum” can be compared to the frequent use of “untitled” by American Minimal artists.

 

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